Why There Are Words

Why There Are Words Literary Reading Series presents “After All”

Posted in readings, Sausalito by whytherearewords on June 18, 2012

Why There Are Words Literary Reading Series presents the following readers on the theme After All July 12 at Studio 333 in Sausalito, 7-9pm. $5. Join us as seven authors share stories big and small. It’s why there are words after all!

Lauren Becker

Lauren Becker is editor of Corium Magazine. Her work has appeared in The Los Angeles Review, Opium, Hobart, Juked and some other nice places. Her collection of short fiction is included in the anthology Shut Up/Look Pretty (Tiny Hardcore Press, 2012). She lives in Oakland, where she hosts the reading series, East Bay on the Brain. She has never been nominated for a Pushcart Prize.

Joe Clifford

Joe Clifford’s work has appeared in Big Bridge, the Connecticut Review, Drunken Boat, Fringe, Opium, Thuglit, Word Riot, and Underground Voices, among others. A collection of short stories, Choice Cuts, and his noir novel Wake the Undertaker will be published by Snubnose Press this year. He is the producer of Lip Service West, a “gritty, real, raw” reading series in Oakland. He has been to jail but never prison.

Sere Prince Halverson

Sere Prince Halverson is the author of The Underside of Joy (Dutton, January 2012), translated into fifteen languages. She worked as a copywriter and creative director for 20 years while she wrote fiction and raised kids. She and her husband have four children, and live in Northern California.

Joy Lanzendorfer

Joy Lanzendorfer’s work has appeared in Hotel Amerika, Necessary Fiction, Word Riot, Salon, the San Francisco Chronicle, Entrepreneur, Bust, and others. She completed an MA in Creative Writing at San Francisco State University, where she served on the editorial board for Fourteen Hills. Her chapbook The End of the World as I Know It won runner-up for the Michael Rubin Chapbook Award at SFSU. For the last five years, she has been a judge in the Writer’s Digest Self-Published Book Awards. She just completed her first novel.

Ericka Lutz

Ericka Lutz is the author of the recently published novel The Edge of Maybe. Her seven non-fiction books include On the Go with Baby and The Complete Idiot’s Guide to Stepparenting, and her short fiction and creative non-fiction have appeared in numerous books, anthologies, and journals, including Literary Mama, Because I Love Her, Paris: A Love Story, and Green Mountains Review. She won the Boston Fiction Festival in 2006 with her story “Deer Story,” and was a two-time fellow at the Virginia Center for the Creative Arts. Her full-length solo show “A Widow’s To-Do List” is in development. She teaches writing at U.C. Berkeley. She is currently writing a second novel based in Oakland about family ties… but this one has ghosts.

Aimee Phan

Aimee Phan is the author of The Reeducation of Cherry Truong (St. Martin’s Press, March 2012). Her first book, We Should Never Meet, was awarded the Association for Asian American Studies Book Award in Prose, a Notable Book by the Kiryama Prize in fiction, and a finalist for the Asian American Literary Awards. Her writing has appeared in The New York Times, USA Today, and The Oregonian, among others. A 2010 National Endowment of the Arts Creative Writing Fellow, she received her MFA from the University of Iowa, where she won a Maytag Fellowship. She teaches in the MFA Program in Writing and Writing and Literature Program at California College of the Arts.

Eric Sasson

Eric Sasson’s story collection Margins of Tolerance (Livingston Press, May 2012) was the 2011 Tartt First Fiction Award runner-up. His story “Floating” was a finalist for the Robert Olen Butler prize. Other publication credits include Explosion Proof, BLOOM, Nashville Review, The Puritan, Liquid Imagination, Alligator Juniper, Trans, The Ledge, MARY magazine, and THE2NDHAND, among others. He’s taught fiction writing at the Sackett Street Writers Workshop and lives in Brooklyn.

Post-February reading — video, photos, etc

Posted in readings by whytherearewords on February 15, 2010

The February 11 Loves, Lusts, and Good Strong Likes was an amazing event.

You can see a few photos here (facebook album). Better, Evan Karp’s got video. People are saying many good things about the reading series, and it’s been packed both events now. But I’m especially touched by what Evan writes about the Feb. 11 reading:

i won’t comment much except to say i have high expectations for this series in a different way than the myriad others i frequent. it’s like going to a classier restaurant than you would usually go to (if you went to restaurants) and expecting the quality to be exponentially better than you’re used to, and, fearing your own disappointment, you’re taken aback by the neat and well-mannered and timely and even sincere waitress and the food surpasses everything and the ambiance is like, i don’t know, coming from inside of you or something it’s so in tune, or you are, or there just isn’t a difference (and why should there be?). There shouldn’t! If you haven’t been to Studio 333, understand: this gallery is an ideal place for an epicenter of N Bay culture, and WTAW really seems to be laying the foundation for a much-desired community series.

Well-attended again (packed, actually), the room was full of people from all sides of the bay, but predominantly, I think, N Bay’ers. Amy Tan and Bombo even made it out—talk about a good crowd! As you may have already seen, readers were Lauren Becker, James Warner, Tanya Egan Gibson, Judy French, Joan Frank, and Stephen Elliott.

Thanks, Evan!

Loves, Lusts, and Good Strong Likes — February 11 reading

Posted in readings, Sausalito by whytherearewords on January 24, 2010

Get a jump on your Valentine’s Day weekend by coming out Thursday night, February 11, to Why There Are Words’ Loves, Lusts, and Good Strong Likes reading. Studio 333 in Sausalito, 7 PM, $5 donation at the door. (Bring cash and checks for authors’ books, which they’ll gladly sign for you, and for drinks — water, beer, wine.) Here’s the line-up.

Stephen Elliott

Stephen Elliott is the author of seven books including The Adderall Diaries, which has been described as “genius” by both the San Francisco Chronicle and Vanity Fair. Elliott’s writing has been featured in Esquire, The New York Times, The Believer, GQ, Best American Non-Required Reading 2005 and 2007, Best American Erotica, and Best Sex Writing 2006. He is the editor of The Rumpus.

Joan Frank

Joan Frank is the author of four books of fiction: her most recent, the story collection In Envy Country, won the 2010 Richard Sullivan Prize in Fiction, and is available right here, right now for your reading pleasure at her website.

Joan’s first novel, Miss Kansas City, won the 2006 Michigan Literary Fiction Award, and was nominated for a Northern California Book Award in Fiction. Her second novel, The Great Far Away, was also an NCBA nominee. Her first story collection, Boys Keep Being Born, was a finalist for both the Bay Area Book Reviewers’ Fiction Award and the Paterson Fiction Award.

Joan took her MFA in Fiction from the Warren Wilson College MFA Program for Writers. She is a MacDowell Colony Fellow, Pushcart Prize nominee, winner of the Dana Award, Emrys Fiction Award and Iowa Writing Award; in 2008 the San Francisco Public Library named Joan a Literary Laureate. She lives and works in Santa Rosa.

Tanya Egan Gibson

Tanya Egan Gibson is the author of How to Buy a Love of Reading (May 2009 – Dutton), a novel about nouveau riche parents who try to cure their teenage daughter’s hatred of books by commissioning a custom-written novel for her and dubbing themselves the Medicis of Long Island.  Hailed as “a fresh and funny new voice in the world of fiction” by Mark Childress (Crazy in Alabama and One Mississippi), Tanya is an alumna of Squaw Valley Community of Writers.  She lives in Marin County with her husband and two children.

Lauren Becker

Lauren Becker writes and edits, ostensibly for money and definitely for joy,though she preferred the government relations and attorney paychecks.  She is the editor of a brand new literary journal, Corium Magazine, which will debut online in March, and writes for The Nervous Breakdown.  She runs a quarterly reading series called East Bay on the Brain and her fiction has appeared or will in places including Annalemma, Opium Magazine, Pindeldyboz, Storyglossia, and Wigleaf.

Judy French

Judy French is a fiction writer and poet living in Walnut Creek.  Her work has appeared in the Colorado Review as well as other literary journals, and her play Little Statues was staged in New York.  She holds a Master of Fine Arts in Creative Writing from Warren Wilson College and graduated with honors from Santa Clara University with a degree in Theater. She currently teaches creative writing at a private school in the Bay Area.

James Warner

James Warner‘s stories have appeared most recently in Electric Literature’s The Outlet, Storyglossia, Ninth Letter, Dublin Quarterly, Agni Online, etc. He blogs for Identity Theory at Everything Unfinished. He helps organize the world’s largest literary pub crawl, the Lit Crawl, for San Francisco’s annual Litquake festival. James organizes the reading series InsideStoryTime.

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