Posted in readings by whytherearewords on September 13, 2012
October is Roctober with Litquake! We have readings galore for you this month!
FIRST UP, join us for our regularly scheduled event at Studio 333 in Sausalito, October 11. 7pm. This very special show features writers from the audience who entered their names in the drawings over the months. Studio 333 in Sausalito, 7-9pm. $5.
Rosaleen Bertolino‘s fiction has appeared in The MacGuffin, Pure Francis, Prick of the Spindle, and Southern California Review, among others. Her awards include a Marin Arts Council Individual Artist Grant.
April Eberhardt joined the literary world as head reader for Zoetrope: All-Story, a literary magazine, followed by five years as an agent with two San Francisco-based literary agencies. She holds an MBA from Boston University in Marketing and Finance, a BA from Hamilton (Kirkland) College in Anthropology and French, and a CPLF degree from the University of Paris. She divides her time between SF, New York and Paris.
Audrey Ferber received an MFA in Writing from Mills College. Her short stories have been anthologized in Virtually Now, Eating Our Hearts Out, and An Intricate Weave. Her essays have appeared in the San Francisco Chronicle, Travelers’ Tales for Women, and most recently in FRONTIERS: A Journal of Women Studies. She has written book reviews for the San Jose Mercury News and the San Francisco Chronicle. She is at work on a memoir about aging, marriage, and dance classes.
Charles Kruger is “The Storming Bohemian” and creator of the website “Storming Bohemia,” which has been mentioned in the New York Times for its coverage of the San Francisco literary scene. He is also the editor and lead reviewer for TheatreStorm, a regular contributor to LitSeen, and an occasional book reviewer for The Rumpus. He is also a painter, whose work can be seen online.
Alexandria Melton has spent over a decade writing for other folks in the advertising industry. A recent transplant to Sausalito, she has published absolutely nothing and red-lined just about everything. She has a penchant for the flagrant use of em dashes — really, and possesses truly brilliant Sharpie skills. She is tragically poor, looking for the next great hardcover.
Beverly Morrison has a B.A. in Creative Writing from SF State. She is a truck driver living in Petaluma with her partner of 16 years, two birds, a gecko, and a cat. She is building a collection of flash fiction stories and specializing in haiku.
Robert Ofsevit saves energy for a living, and expends energy improving his writing, sailing and drawing skills. His BA thesis was published in the Undergraduate Journal of Asian Studies, Vol V, 1991, a highpoint in his literary career.
Alison Owingsis author of the Indian Voices: Listening to Native Americans (Rutgers 2011), a nearly decade-long labor. It appears in paperback in November. Her previous serious books are Hey, Waitress! The USA from the Other Side of the Tray andFrauen: German Women Recall the Third Reich. Her previous not-so-serious book isThe Wander Woman’s Phrasebook: How to Meet or Avoid People in Three Romance Languages. She lectures and teaches about the subjects of her serious books.
Barbara Solomon is a retired attorney, painter, and community volunteer in Marin. Her current project, a short story collection, may turn into a novel.
Townsend Walker is a writer living in San Francisco. His stories have been published in over fifty literary journals and included in six anthologies. One story won the SLO NightWriters story contest, and two were nominated for the PEN/O.Henry Award. Four were performed at the New Short Fiction Series in Hollywood.
Pam Houstonis the award-winning author of Contents May Have Shifted, Cowboys Are My Weakness, Waltzing the Cat, A Little More About Me, andSight Hound. Her stories have been selected for the Best American Short Stories, the O. Henry Awards, the Pushcart Prize, and the Best American Short Stories of the Century. She teaches in the graduate writing program at University of California, Davis.
Joshua Mohr is the author of the novelsTermite Parade, which was an Editors’ Choice on The New York Times Best Seller List; Some Things that Meant the World to Me, one of O Magazine‘s Top 10 reads of 2009 and a SF Chronicle bestseller; and the brand new Damascus (October 2011). He has published numerous short stories and essays in publications such asThe New York Times Book Review,7×7, the Bay Guardian, ZYZZYVA, andThe Rumpus, among many others. He lives in San Francisco and teaches in the MFA program at USF.
Michelle Richmond is the author of the New York Times bestseller The Year of Fog, currently under option with Battleplan Productions; the novels No One You Know and Dream of the Blue Room; and the award-winning story collection The Girl in the Fall-Away Dress. In Fall 2012, she held the Catherine Julie Cunningham Chair at Notre Dame de Namur University. She is the founder and publisher of Fiction Attic Press.
Susan Steinberg is the author of the story collections Hydroplane and The End of Free Love, and her third collection, Spectacle, is forthcoming from Graywolf Press. Her stories have appeared in McSweeney’s, Conjunctions, The Gettysburg Review, American Short Fiction, Boulevard, Quarterly West, Denver Quarterly, and The Massachusetts Review, and she has been the recipient of a Pushcart Prize and a National Magazine Award. She was the 2010 United States Artists Ziporyn Fellow in Literature. She has a BFA in Painting from the Maryland Institute College of Art and an MFA in English from The University of Massachusetts, Amherst. She is Professor of English at the University of San Francisco.
Ryan Van Meter
Ryan Van Meter is the author of the essay collection, If You Knew Then What I Know Now (2011). His work has appeared in The Gettysburg Review, Iowa Review, The Normal School Magazine, Ninth Letter, and Fourth Genre, among others, and has been selected for anthologies including Best American Essays 2009. A recent finalist for the Lambda Literary Award, he has also been awarded residencies by The MacDowell Colony and the Virginia Center for the Creative Arts.
Tristan Tzara knew something about the creative power of community and constraint. During a Dadaist rally in the 1920s, Tzara offered to create a work on the spot by pulling words at random from a hat. The exercise became a well-known surrealism technique, and when applied to flash fiction it works quite effectively by pulling the words from a hat at timed intervals, which must be immediately incorporated into the story being drafted. Come hear the results, at Tzara’s Hat, where five writers will read five new flash fiction works of no more than 750 words.
Peg Alford Pursell‘s fiction has appeared in the Los Angeles Review, Staccato Fiction, Annalemma, Emprise Review & others. She’s an editor & lit reading series curator.
Daniel Levin Becker is reviews editor of The Believer and the youngest member of the Paris-based Oulipo collective.
Ethel Rohan is the author of Hard to Say and Cut Through the Bone. She has published in World Literature Today, Tin House Online, The Rumpus, & elsewhere.
Janey Smith is the writer of The Snow Poems (forthcoming, NAP) and Animals (Plain Wrap Press). Her writing may be found all over the internet.
Olga Zilberbourgwrites fiction set in San Francisco, St. Petersburg, Russia, and places between. Her work’s appeared in Narrative Magazine, Santa Monica Review, HTMLGiant, and others.