Join us at Studio 333 in Sausalito, November 8. Our promise: A magical night of stories from seven remarkable writers on the theme, Promise. 333 Caledonia Street, Sausalito, 7 pm. $5.
Fred Arroyo is the author of Western Avenue and Other Fictions (University of Arizona Press, 2012), as well as The Region of Lost Names (U of Arizona P, 2008). Named one of the Top Ten New Latino Authors to Watch (and Read) in 2009 by LatinoStories.com, he is also a recipient of an Individual Artist Grant from the Indiana Arts Commission. Fred has published fiction, poetry, and essays in various literary journals and in the anthologies The Colors of Nature (Milkweed 2011) and Camino del Sol: Fifteen Years of Latina and Latino Writing (University of Arizona 2010). Currently, he is completing a book of essays in which he lyrically meditates on work, reading and writing, migration and place—sources of creativity arising from his life and work in the Midwest, growing up bilingual on the East Coast, and then being caught between urban and rural worlds. He is also working on a novel set primarily in the Caribbean. Fred lives in Vermillion, South Dakota, where he teaches fiction and creative nonfiction in the MA/PhD Program in Creative Writing, as well in the undergraduate program at the University of South Dakota. Fred walks as much as possible, enjoys bike rides with his nine-year-old son, and finds as of late that driving in the upper Midwest is the tonic that brings writing and life together.
Stacy Bierleinis the author of the story collection A Vacation on the Island of Ex-Boyfriends and a co-editor of the short fiction anthology Men Undressed: Women Writers and the Male Sexual Experience. Her award-winning anthology of international fiction, A Stranger Among Us: Stories of Cross Cultural Collision and Connection, is used in university classrooms across the country. She is a founding editor of Other Voices Books and the Morgan Street International Novel Series. Her articles about writing, publishing, and the arts appear on various websites, including The Rumpus. She lives in Southern California.
Leslie Ingham was classically educated at St. John’s College in Annapolis and has her MA in Rhetoric and Composition from the University of Maryland. Her work has appeared in Fiction 365 and Energeia, and been recognized by Narrative Magazine. She is a founding member of San Francisco’s Portuguese Artists Colony, where she regularly reads her work. She is also an editor at PAC: Books, and is currently at work on a novel.
Patricia Ann McNair’s collection of short stories is The Temple of Air. She has lived 98 percent of her life in the Midwest, where she’s managed a gas station, sold pots and pans door-to-door, tended bar and breaded mushrooms, worked on the trading floor of the Chicago Mercantile Exchange, and taught aerobics. Today she is an associate professor in the Fiction Writing Department of Columbia College Chicago, where she received a nomination for the Carnegie Foundation’s US Professor of the Year. Her collection of stories, called “a beautiful book, intense and original,” by Audrey Niffenegger, has received a number of honors, among them the winner of Southern Illinois University’s Devil’s Kitchen Reading Award and the Society of Midland Authors Finalist Award.
Zack Rogow’s seventh book of poems is My Mother and the Ceiling Dancers, (Kattywompus Press, February 2012). He is editor and/or translator of nineteen books or plays. His writing has appeared in a variety of magazines, from American Poetry Review to Zyzzyva. His translations from French include work by Colette, George Sand, and André Breton. Currently he teaches in the low-residency MFA at the University of Alaska, Anchorage. His blog is titled Advice for Writers.
Jenn Scott’s stories have appeared in The Cincinnati Review, Bellingham Review, The Gettysburg Review, Seattle Review, Santa Monica Review, Cream City Review, Phoebe, Confrontation, Gulf Coast, Juked, New South, and The Los Angeles Review. She lives with four cats and a husband in Oakland, California where she obsesses over football and is presumably at work on her first novel.
Rayme Waters is the author of the debut novel The Angels’ Share. She has been nominated for a Pushcart Prize and a Dzanc Best of the Web Award. Most recently, her work has appeared in The Summerset Review, The Rumpus, and The Meadowland Review. Born in San Francisco, she grew up in Northern California and the city of Linköping, Sweden.
Why There Are Words Literary Reading Series presents the following readers on the theme After All July 12 at Studio 333 in Sausalito, 7-9pm. $5. Join us as seven authors share stories big and small. It’s why there are words after all!
Lauren Becker is editor of Corium Magazine. Her work has appeared in The Los Angeles Review, Opium, Hobart, Juked and some other nice places. Her collection of short fiction is included in the anthology Shut Up/Look Pretty (Tiny Hardcore Press, 2012). She lives in Oakland, where she hosts the reading series, East Bay on the Brain. She has never been nominated for a Pushcart Prize.
Joe Clifford’s work has appeared in Big Bridge, the Connecticut Review, Drunken Boat, Fringe, Opium, Thuglit, Word Riot, and Underground Voices, among others. A collection of short stories, Choice Cuts, and his noir novel Wake the Undertaker will be published by Snubnose Press this year. He is the producer of Lip Service West, a “gritty, real, raw” reading series in Oakland. He has been to jail but never prison.
Sere Prince Halverson is the author of The Underside of Joy (Dutton, January 2012), translated into fifteen languages. She worked as a copywriter and creative director for 20 years while she wrote fiction and raised kids. She and her husband have four children, and live in Northern California.
Joy Lanzendorfer’s work has appeared in Hotel Amerika, Necessary Fiction, Word Riot, Salon, the San Francisco Chronicle, Entrepreneur, Bust, and others. She completed an MA in Creative Writing at San Francisco State University, where she served on the editorial board for Fourteen Hills. Her chapbook The End of the World as I Know It won runner-up for the Michael Rubin Chapbook Award at SFSU. For the last five years, she has been a judge in the Writer’s Digest Self-Published Book Awards. She just completed her first novel.
Ericka Lutz is the author of the recently published novel The Edge of Maybe. Her seven non-fiction books include On the Go with Baby and The Complete Idiot’s Guide to Stepparenting, and her short fiction and creative non-fiction have appeared in numerous books, anthologies, and journals, including Literary Mama, Because I Love Her, Paris: A Love Story, and Green Mountains Review. She won the Boston Fiction Festival in 2006 with her story “Deer Story,” and was a two-time fellow at the Virginia Center for the Creative Arts. Her full-length solo show “A Widow’s To-Do List” is in development. She teaches writing at U.C. Berkeley. She is currently writing a second novel based in Oakland about family ties… but this one has ghosts.
Aimee Phan is the author of The Reeducation of Cherry Truong (St. Martin’s Press, March 2012). Her first book, We Should Never Meet, was awarded the Association for Asian American Studies Book Award in Prose, a Notable Book by the Kiryama Prize in fiction, and a finalist for the Asian American Literary Awards. Her writing has appeared in The New York Times, USA Today, and The Oregonian, among others. A 2010 National Endowment of the Arts Creative Writing Fellow, she received her MFA from the University of Iowa, where she won a Maytag Fellowship. She teaches in the MFA Program in Writing and Writing and Literature Program at California College of the Arts.
Eric Sasson’s story collection Margins of Tolerance (Livingston Press, May 2012) was the 2011 Tartt First Fiction Award runner-up. His story “Floating” was a finalist for the Robert Olen Butler prize. Other publication credits include Explosion Proof, BLOOM, Nashville Review, The Puritan, Liquid Imagination, Alligator Juniper, Trans, The Ledge, MARY magazine, and THE2NDHAND, among others. He’s taught fiction writing at the Sackett Street Writers Workshop and lives in Brooklyn.
Why There Are Words Literary Reading Series presents the following readers on the theme: Vision February 9 at Studio 333 in Sausalito, 7-9pm. $5. Come see for yourself what all the rave reviews for the reading series have been about.
Marcus Banks finds himself at many literary gatherings. A blogger and critic, his book reviews have appeared in the San Francisco Chronicle, Prick of the Spindle, and Rain Taxi. He has also published personal essays in Superstition Review, and from 2005-2007 was the technology columnist for the Gotham Gazette. You can follow his jottings at http://mbanks.typepad.com/.
Kirstin Chen is a 2011-2012 Steinbeck Fellow at San Jose
State University. She has won awards from the Sewanee Writers’ Conference and Emerson College. Her stories have appeared in Hobart, Pank, Juked, The Good Men Project, and others, and have been nominated for the Pushcart Prize and the Best New American Voices anthology. She holds a BA from Stanford University and an MFA from Emerson College. She currently lives in San Francisco, where she is completing her first novel, Soy Sauce for Beginners, set in her homeland of Singapore.
Nicole McFeely is the author of hundreds of bar napkin scribblings and countless other incoherent jottings. She has not written a book, won a grant, or enrolled in a graduate program but has plans to do perhaps two of these things in the next ten years. Destroyer of free time, she currently works as a bartender and freelance editor and serves as the Director of Outreach for Quiet Lightning and the Assistant Editor of Litseen.com. http://nicmcfeely.wordpress.com/
Chicken John is a Showman living in San Francisco. A contributor and instigator
with a long history of arranging Serendipity to accommodate Chaos when she comes to Destiny’s house for dinner. He is a documented confusionist. He is a qualified insultant. He also a mechanic and a writer. He owns a gigantic bus and an odd warehouse in San Francisco. In his spare time he enjoys longs walks off a short pier, underwater basket weaving, and writing dumb bios about himself. He would like you to buy his new book, The Book of the Is. http://chickenjohn.com/
Jacqueline Luckett is the author of the new novel, Passing Love. After wishin’ and hopin’ and thinkin’ and planning.’ Prayin’ and dreamin’ . . . just like that old Dusty Springfield song urges, Jacqueline Luckett finally put pen to paper and wrote, not one, but two novels. Jacqueline considers her novels great way to get a lot off her mind and to visit her favorite city, Paris. She travels frequently in search of another city that mesmerizes her as much as Paris, and is sure that when she finds it more story ideas will come her way.
Carol Sheldon’s first novel, Mother Lode placed in the top five percent of Amazon’s International Breakthrough Novel Contest of 2011. She’s published two books of poetry. Her poetry can also be found in Robert Bly’s Great Mother Conference Anthology, Hot Flashes and Marin Poetry Anthology. Two of her plays, Sandcastles, and Lifelines were chosen for professional productions. Several other works have won awards. She holds an MA from University of Michigan, and teaches poetry, novel, and memoir writing classes. She also enjoys directing and acting, believing her experience on stage has informed her writing. http://carolsheldon.wordpress.com/
Susanna Solomon’s fiction has appeared in the online magazine Harlot’s Sauce
Radio, in print in Vintage Voices, West Winds Centennial, and the Point Reyes Light. Her fiction lately has been inspired by entries in the Sheriff’s Calls Section of the Point Reyes Light. She is at work on a short story collection and is polishing her first novel. In cafes all over Marin, in quiet corners, she is often visited by her characters Mildred and Fred, who not only have a lot to say about what they read in the paper, but about getting older, burglars in their backyard, and uncooperative lawn chairs.
Jon Wells is a designer, writer, and filmmaker living in Mill Valley. He Died All Day Long is his first novel. His design work has been recognized in venues such as the San Francisco Show, Addy Awards, Print Magazine books, and the American Institute of Graphic Arts. His first film, At the Epicenter of the Epidemic, documenting the HIV/AIDS crisis in Honduras, was shown at the Tiburon International Film Festival. He is a member of the Tuesday Night Writers and is a Squaw Valley Community of Writers alum.