Why There Are Words Literary Reading Series presents the following readers on the theme Ignored September 13 at Studio 333 in Sausalito, 7-9pm. $5. A stellar night of readings with seven incredible authors? Now that’s something you can’t ignore!
David Booth is the author Peer Participation and Software, a book about crowd-sourcing and democracy (MIT Press, 2010). His fiction has appeared in many print and online journals, including Washington Square, The Missouri Review, and The Farallon Review. David was a creative writing instructor at the University of San Francisco for 10 years. He now teaches humanities at Gateway High School in San Francisco’s Fillmore District. He has just completed the first draft of a novel called “The History of Adoption” that explores child adoption and the teaching of literacy to adolescents in the United States.
Traci Chee is an always-writer and sometimes-teacher. She has a graduate degree in creative writing from San Francisco State University and is looking forward to earning her teaching credential. In recent years her work has been published in The Big Stupid Review and ABJECTIVE. Her collection of short stories Consonant Sounds for Fish Songs is forthcoming from Aqueous Books. She lives in Northern California, where she keeps a fast dog and a weekly blog. She likes fish and ships.
Lindsey Crittenden is the author of two books: The Water Will Hold You: A Skeptic Learns to Pray and The View From Below: Stories. Her personal essays—on everything from visiting a group of lifers at San Quentin to the pitfalls of too much California sunshine—have appeared in The New York Times, Image, Real Simple, Bon Appétit, East Bay Express, and Best American Spiritual Writing. Her fiction has won national awards and been published in Glimmer Train, Bellingham Review, Quarterly West, and other publications. She teaches writing at UC Berkeley Extension and through the Glen Online, blogs weekly, and is at work on a novel.
Erich Origen is a New York Times bestselling humorist. His first book, Goodnight Bush, which he co-created with friend Gan Golan,a bedtime story about the Bush Administration, became a breakout hit in 2008, and the book’s words were sung by jubilant choirs across the country. His second book (also created with Golan), The Adventures of Unemployed Man, a superhero parody about the economic crisis, was an international bestseller and one of the best-reviewed graphic novels of the year. The duo’s latest book is Don’t Let the Republican Drive the Bus! Origen has a special connection to this book’s soul: His mother was a charter bus driver whose livelihood was devastated by Republican union-busting. He studied film and television at the University of Southern California, where he won the Bernard Kantor Award for Academic Excellence. You can follow his blog here.
Caroline Paul is the author of Fighting Fire, a memoir of her career as a San Francisco firefighter, and East Wind, Rain, an historical novel that takes place on the Hawaiian island of Niihau at the start of World War II. Lost Cat: A True Story of Love, Desperation, and GPS Technology will be published in April 2013.
Sarah Stone is the author of the novel The True Sources of the Nile and co-author of Deepening Fiction: A Practical Guide for Intermediate and Advanced Writers. Her writing has appeared in Ploughshares, StoryQuarterly, The Future Dictionary of America, the Believer Book of Writers Talking to Writers, Dedicated to the People of Darfur: Writings on Fear, Risk, and Hope, and A Kite in the Wind: Fiction Writers on Their Craft, among other places.She has taught in Seoul, in Bujumbura, at San Francisco State University, at the University of California, Berkeley, and in the MFA in Writing and Consciousness, first at New College of California and later at California Institute of Integral Studies. She teaches in the Warren Wilson MFA Program for Writers.
Rebecca Wilson is the author of the memoir A House with No Roof —After My Father’s Assassination, A Memoir, (Counterpoint Press, 2011), with an introduction by Anne Lamott. She was born in San Francisco and raised in Bolinas, California. She graduated from Scripps Women’s College Phi Beta Kappa and traveled to Scotland on a Thomas J. Watson Fellowship. During her time in Scotland she published her first book, Sleeping with Monsters: Conversations with Scottish and Irish Female Poets.
Why There Are Words Literary Reading Series presents the following readers on the theme After All July 12 at Studio 333 in Sausalito, 7-9pm. $5. Join us as seven authors share stories big and small. It’s why there are words after all!
Lauren Becker is editor of Corium Magazine. Her work has appeared in The Los Angeles Review, Opium, Hobart, Juked and some other nice places. Her collection of short fiction is included in the anthology Shut Up/Look Pretty (Tiny Hardcore Press, 2012). She lives in Oakland, where she hosts the reading series, East Bay on the Brain. She has never been nominated for a Pushcart Prize.
Joe Clifford’s work has appeared in Big Bridge, the Connecticut Review, Drunken Boat, Fringe, Opium, Thuglit, Word Riot, and Underground Voices, among others. A collection of short stories, Choice Cuts, and his noir novel Wake the Undertaker will be published by Snubnose Press this year. He is the producer of Lip Service West, a “gritty, real, raw” reading series in Oakland. He has been to jail but never prison.
Sere Prince Halverson is the author of The Underside of Joy (Dutton, January 2012), translated into fifteen languages. She worked as a copywriter and creative director for 20 years while she wrote fiction and raised kids. She and her husband have four children, and live in Northern California.
Joy Lanzendorfer’s work has appeared in Hotel Amerika, Necessary Fiction, Word Riot, Salon, the San Francisco Chronicle, Entrepreneur, Bust, and others. She completed an MA in Creative Writing at San Francisco State University, where she served on the editorial board for Fourteen Hills. Her chapbook The End of the World as I Know It won runner-up for the Michael Rubin Chapbook Award at SFSU. For the last five years, she has been a judge in the Writer’s Digest Self-Published Book Awards. She just completed her first novel.
Ericka Lutz is the author of the recently published novel The Edge of Maybe. Her seven non-fiction books include On the Go with Baby and The Complete Idiot’s Guide to Stepparenting, and her short fiction and creative non-fiction have appeared in numerous books, anthologies, and journals, including Literary Mama, Because I Love Her, Paris: A Love Story, and Green Mountains Review. She won the Boston Fiction Festival in 2006 with her story “Deer Story,” and was a two-time fellow at the Virginia Center for the Creative Arts. Her full-length solo show “A Widow’s To-Do List” is in development. She teaches writing at U.C. Berkeley. She is currently writing a second novel based in Oakland about family ties… but this one has ghosts.
Aimee Phan is the author of The Reeducation of Cherry Truong (St. Martin’s Press, March 2012). Her first book, We Should Never Meet, was awarded the Association for Asian American Studies Book Award in Prose, a Notable Book by the Kiryama Prize in fiction, and a finalist for the Asian American Literary Awards. Her writing has appeared in The New York Times, USA Today, and The Oregonian, among others. A 2010 National Endowment of the Arts Creative Writing Fellow, she received her MFA from the University of Iowa, where she won a Maytag Fellowship. She teaches in the MFA Program in Writing and Writing and Literature Program at California College of the Arts.
Eric Sasson’s story collection Margins of Tolerance (Livingston Press, May 2012) was the 2011 Tartt First Fiction Award runner-up. His story “Floating” was a finalist for the Robert Olen Butler prize. Other publication credits include Explosion Proof, BLOOM, Nashville Review, The Puritan, Liquid Imagination, Alligator Juniper, Trans, The Ledge, MARY magazine, and THE2NDHAND, among others. He’s taught fiction writing at the Sackett Street Writers Workshop and lives in Brooklyn.
Why There Are Words Literary Reading Series presents the following readers on the theme Animal June 14 at Studio 333 in Sausalito, 7-9pm. $5. Animalis. Latin for “having breath.” Join us for a night of readings that will surely take your breath away!
Tami Anderson’s fiction has been published in Other Voices, Passages North, and Soundings East. Her work was selected for a stand-alone performance of The New Short Fiction Series, Los Angeles’s longest running spoken word series. She was a 2006 recipient of the Barbara Jackson Fellowship to the Tomales Bay Writer’s Conference.
Dani Burlison is a staff writer at the Pacific Sun, columnist at McSweeney’s Internet Tendency, and book reviewer for The Los Angeles Review. Her writing appears in The Rumpus, Hip Mama Magazine, Rad Dad Zine, Bike Monkey, Elephant Journal, The North Bay Bohemian, and elsewhere. She has essays forthcoming in The Los Angeles Review, Plowshares, and two anthologies: The People’s Apocalypse and It’s All in Her Head: Women Making Peace With Troubled Minds. She is the co-founder of Petals and Bones zine and writing workshops, and lives in Sonoma County.
Carolyn Cooke’s Daughters of the Revolution was listed among the best novels of 2011 by the San Francisco Chronicle and The New Yorker Magazine. Her short fiction has appeared in AGNI, The Paris Review, and two volumes each of Best American Short Stories and Prize Stories: The O. Henry Awards. These stories were collected in The Bostons, which won the PEN/Bingham Award and was a finalist for the PEN/Hemingway. She teaches in the MFA writing program at the California Institute of Integral Studies in San Francisco.
Bruce Genaro is a graduate of the MFA in Writing Program at the University of San Francisco, and he has the scars to prove it. His short stories, essays, profiles, and reviews have appeared in numerous obscure and hard to find literary magazines and journals, as well as more notable venues like the Huffington Post. You can read his most recent publication, “Workshopped to Death,” in the 2012 issue of The Alembic, the annual literary journal of Providence College. He is currently working on a book about The Outsiders, a group of seven Bay Area plein air painters, and a novel about the last prince of Italy.
Allison Landa is a Berkeley-based fiction and memoir writer. Her work has been featured in Salon Magazine, Prick of the Spindle, Swill Magazine, Toasted Cheese, Pindeldyboz, and Defenestration, among other venues, and featured at reading series including Lip Service West, Quiet Lightning, Pints and Prose, and Porchlight SF. She has been a resident at The MacDowell Colony, Kimmel Harding Nelson Center for the Arts, and The Julia and David White Artists’ Colony. She earned her MFA in fiction writing at St. Mary’s College of California.
Matt Runkle is a writer, cartoonist, and book artist. His work has been featured in The Collagist, Beecher’s, Monkeybicycle, and on BOMBlog. He has read at venues ranging from SOMArts and Brooklyn’s Unnameable Books to the Headlands Center for the Arts. The third issue of his zine, Runx Tales, is due out later this year. Brooklyn Arts Press will publish a collection of his short fiction in 2013, and he is looking for a publisher for his novel,”Twos”, which was a semifinalist for the Noemi Book Award.
James Tipton is the author of Annette Vallon, A Novel of the French Revolution, a San Francisco Chronicle bestseller and a Barnes and Noble Discover Pick. Born and raised in Berkeley, he has a PhD in English from the University of California, Davis. He has been a lecturer at UC Davis and at the University of Bordeaux, France, and has taught English and creative writing at the College of Marin since 1993.
Justin Torres was raised in upstate New York. His work has appeared in Granta, Tin House, and Glimmer Train. A graduate of the Iowa Writers’ Workshop, he was the recipient of a Rolón Fellowship in Literature from United States Artists and is a Wallace Stegner Fellow at Stanford. Among many other things, he has worked as a farmhand, a dog walker, a creative writing teacher, and a bookseller.
Why There Are Words Literary Reading Series presents the following readers on the theme: Break April 12 at Studio 333 in Sausalito, 7-9pm. $5. Break: an interruption in continuity; a second chance. These seven authors will BREAK through what we think we know about this topic. Join us! And don’t forget to subscribe to our newsletter announcing upcoming readings each month. (We never share your email with anyone!)
Shannon Cain’s debut short story collection, The Necessity of Certain Behaviors, is the recipient of the Drue Heinz Literature Prize. Her stories have been awarded the Pushcart Prize, the O. Henry Prize, and a fellowship from the National Endowment for the Arts. They have appeared or are forthcoming in Tin House, The Colorado Review, the New England Review, American Short Fiction, Mid-American Review, and Southwords: New Writing from Ireland. She is the co-editor, with Lisa Bowden, of Powder: Writing by Women in the Ranks, from Vietnam to Iraq (Kore Press, 2008) and co-adapter of Coming In Hot, the stage adaptation of the book. She is the Artist-in-Residence for the City of Tucson’s Ward One and the fiction editor for Kore Press. Her current creative project is Tucson, the Novel: An Experiment in Literature and Civil Discourse.
Stan Goldberg is the author of Lessons for the Living: Stories of Forgiveness,Gratitude, and Courage at the End of Life, which received six national and international awards and was translated into Chinese, Indonesian, and Portuguese. He has published seven books, written numerous articles, and delivered more than 100 lectures and workshops throughout the United States, Latin America, Canada, and Asia on topics ranging from change, to flyfishing, to end of life issues. He is Professor Emeritus at San Francisco State University, and devotee of the shakuhachi (Japanese bamboo flute) and Native American Flute. In 2009 he was named Volunteer of the Year by the Hospice Volunteer Association.
Leo Litwak’s novel Waiting for the News received the National Jewish Book Award and the Edward Lewis Wallant Award. He has published two novels and two works of nonfiction. His work has appeared in The New York Times Magazine, New York Times Book Review, Esquire, Look Magazine, and Best American Short Stories. He is a recipient of John Simon Guggenheim and National Endowment for the Arts fellowships, and first prize in the 1990 O. Henry Prize Stories collection. Professor at San Francisco State University for more than thirty years, he lives in San Francisco.
Meredith Maran is a book critic, award-winning journalist, and the author of several bestselling nonfiction books including My Lie, Class Dismissed, and What It’s Like to Live Now. A member of the National Book Critics Circle, she reviews books for People, Salon, the San Francisco Chronicle, and the Boston Globe, and writes for a number of magazines. Since publishing a poem at age six in Highlights for Kids, she’s dreamed of publishing her first novel. A Theory of Small Earthquakes is it.
Sommer Schafer is a candidate in the MFA program at San Francisco State University. She lives in San Rafael and is currently working on two collections of stories: My Father’s Memoirs, about a family coming to terms with a father’s mental illness and subsequent death, and Hope, about the citizens of a small town in Alaska. You can read her first publication, “The Table,” forthcoming later this year in Barge Journal.
Linda Gray Sexton has published several widely acclaimed novels as well as two memoirs about her life and relationship with her mother, Pulitzer Prize winning poet Anne Sexton. Her first memoir, Searching for Mercy Street: My Journey Back To My Mother, was named a New York Times Book Review Notable Book. Her recent memoir, Half in Love: Surviving the Legacy of Suicide, is about her struggle with her own mental illness and the legacy of suicide left to her by her mother, who took her own life when Sexton was twenty-one. Unlike her mother’s story though, hers is a story of triumph. She lives in Northern California.
Mary Paynter Sherwin’s work has appeared most recently in The Midway Journal, Drash: Northwest Mosaic, and Unswept. She was also recently named one of the Northwest’s most innovative poets by Rattapallax. Mary is pursuing an MFA at Saint Mary’s College of California and lives in Oakland with her husband, David.
Why There Are Words Literary Reading Series presents the following readers on the theme: Vision February 9 at Studio 333 in Sausalito, 7-9pm. $5. Come see for yourself what all the rave reviews for the reading series have been about.
Marcus Banks finds himself at many literary gatherings. A blogger and critic, his book reviews have appeared in the San Francisco Chronicle, Prick of the Spindle, and Rain Taxi. He has also published personal essays in Superstition Review, and from 2005-2007 was the technology columnist for the Gotham Gazette. You can follow his jottings at http://mbanks.typepad.com/.
Kirstin Chen is a 2011-2012 Steinbeck Fellow at San Jose
State University. She has won awards from the Sewanee Writers’ Conference and Emerson College. Her stories have appeared in Hobart, Pank, Juked, The Good Men Project, and others, and have been nominated for the Pushcart Prize and the Best New American Voices anthology. She holds a BA from Stanford University and an MFA from Emerson College. She currently lives in San Francisco, where she is completing her first novel, Soy Sauce for Beginners, set in her homeland of Singapore.
Nicole McFeely is the author of hundreds of bar napkin scribblings and countless other incoherent jottings. She has not written a book, won a grant, or enrolled in a graduate program but has plans to do perhaps two of these things in the next ten years. Destroyer of free time, she currently works as a bartender and freelance editor and serves as the Director of Outreach for Quiet Lightning and the Assistant Editor of Litseen.com. http://nicmcfeely.wordpress.com/
Chicken John is a Showman living in San Francisco. A contributor and instigator
with a long history of arranging Serendipity to accommodate Chaos when she comes to Destiny’s house for dinner. He is a documented confusionist. He is a qualified insultant. He also a mechanic and a writer. He owns a gigantic bus and an odd warehouse in San Francisco. In his spare time he enjoys longs walks off a short pier, underwater basket weaving, and writing dumb bios about himself. He would like you to buy his new book, The Book of the Is. http://chickenjohn.com/
Jacqueline Luckett is the author of the new novel, Passing Love. After wishin’ and hopin’ and thinkin’ and planning.’ Prayin’ and dreamin’ . . . just like that old Dusty Springfield song urges, Jacqueline Luckett finally put pen to paper and wrote, not one, but two novels. Jacqueline considers her novels great way to get a lot off her mind and to visit her favorite city, Paris. She travels frequently in search of another city that mesmerizes her as much as Paris, and is sure that when she finds it more story ideas will come her way.
Carol Sheldon’s first novel, Mother Lode placed in the top five percent of Amazon’s International Breakthrough Novel Contest of 2011. She’s published two books of poetry. Her poetry can also be found in Robert Bly’s Great Mother Conference Anthology, Hot Flashes and Marin Poetry Anthology. Two of her plays, Sandcastles, and Lifelines were chosen for professional productions. Several other works have won awards. She holds an MA from University of Michigan, and teaches poetry, novel, and memoir writing classes. She also enjoys directing and acting, believing her experience on stage has informed her writing. http://carolsheldon.wordpress.com/
Susanna Solomon’s fiction has appeared in the online magazine Harlot’s Sauce
Radio, in print in Vintage Voices, West Winds Centennial, and the Point Reyes Light. Her fiction lately has been inspired by entries in the Sheriff’s Calls Section of the Point Reyes Light. She is at work on a short story collection and is polishing her first novel. In cafes all over Marin, in quiet corners, she is often visited by her characters Mildred and Fred, who not only have a lot to say about what they read in the paper, but about getting older, burglars in their backyard, and uncooperative lawn chairs.
Jon Wells is a designer, writer, and filmmaker living in Mill Valley. He Died All Day Long is his first novel. His design work has been recognized in venues such as the San Francisco Show, Addy Awards, Print Magazine books, and the American Institute of Graphic Arts. His first film, At the Epicenter of the Epidemic, documenting the HIV/AIDS crisis in Honduras, was shown at the Tiburon International Film Festival. He is a member of the Tuesday Night Writers and is a Squaw Valley Community of Writers alum.
It’s our last show of the year so we’ve got just the theme. That’s right: Last. Join us for the stellar line-up, at Sausalito’s Studio 333 at 7 PM, December 8, for books, beer, wine, and great stories. $5 gets you in the door.
Kate Asche, poet/essayist and creative writing teacher, is a graduate of the UC Davis Creative Writing Program. She was a finalist for the 2011 Audio Contest at The Missouri Review and has poetry forthcoming in Confrontation. She has received two Elliot Gilbert Prizes in Poetry and an Academy of American Poets Award, and is a trained facilitator in the Amherst Writers and Artists (AWA) Method. She coordinates The Tomales Bay Workshops at UC Davis Extension and volunteers regularly for the Sacramento Public Library, the Sacramento Poetry Center, and 916 INK, a local youth literacy organization inspired by 826 Valencia. Follow her and get the scoop on local writing events at her blog Kate’s Miscellany (click on her name.)
David Berkeley is called “a musical poet” by the San Francisco Chronicle. The singer/songwriter has recently penned a memoir entitled 140 Goats and a Guitar to accompany his fourth album, “Some Kind of Cure.” The book comprises 13 pieces that tell the stories behind the 13 songs on the album, and the concept is that a reader moves through the prose and music together. When he presents his book live, he performs the corresponding song following each excerpt. He’s been a guest on “This American Life;” has toured with artists including Don Mclean, Dido, Billy Bragg, Ben Folds, Rufus Wainwright, Nickel Creek, and Ray Lamontagne; and maintains a near-constant tour schedule performing concerts all over the country.
Lynn Freed’s books include six novels, a collection of stories, and a collection of essays. Her work has appeared in The New Yorker, Harper’s, The Atlantic Monthly, Southwest Review, The Georgia Review, The New York Times, The Washington Post, The Wall Street Journal, National Geographic, Narrative Magazine, among others. She is the recipient of the inaugural Katherine Anne Porter Award from the American Academy of Arts and Letters, a PEN/O. Henry Award, fellowships, grants and support from the National Endowment for the Arts and The Guggenheim Foundation, among others. Born in South Africa, she now lives in northern California.
Cary Groner has worked as a journalist for more than two decades. In 2009, he earned his MFA from the University of Arizona, where he began writing short stories and worked on two novels. His stories have won numerous awards and appeared in venues that include Glimmer Train, American Fiction, Mississippi Review, Southern California Review, Tampa Review, and Sycamore Review. His debut novel, Exiles, won the Hackney Literary Award and was published by Spiegel & Grau / Random House this past June. Cary and his wife live in the San Francisco Bay area.
Faith S. Holsaert was active in the civil rights movement and co-edited the nonfiction book Hands on the Freedom Plow: Personal Accounts by Women in SNCC (University of Illinois Press, 2010). She has published fiction since 1979, in Fugue, Washington Review, Phoebe, The Long Story, Antietam Review and others. She has appeared online at the kingsenglish.org and mountainechoes.com. She received her MFA in fiction from the Warren Wilson Program for Writers. For many years, she lived in West Virginia where she raised her son and daughter. She lives in Durham, NC with her partner, with whom she shares seven grandchildren. She is working on her third novel.
Nick Krieger is the author of the memoir Nina Here Nor There: My Journey Beyond Gender. His writing has earned several travel-writing awards, has been published in multiple travel guides, and has appeared in numerous outlets including The Rumpus, Town & Country, 365Gay, and Original Plumbing. He is passionate about activism through art, creative self-expression, and queering all that he can. He holds an MFA in Writing from the University of San Francisco.
Dean Rader‘s debut collection of poems, Works & Days, won the 2010 T. S. Eliot Poetry Prize. It is also a finalist for the 2010 Bob Bush Memorial First Book Award and it is the winner of the 2010 Writer’s League of Texas Poetry Prize. His poem “Ocean Beach at Twilight: 14” was named one of the Best Poems of 2010 by Verse Daily. He is currently curating a new blog called 99 Poems for the 99 Percent. He is a professor at the University of San Francisco, where he won the 2010/2011 Distinguished Research Award.
Ian Tuttle is the author of StretchyHead – Fictional Stories in Real Places. His toy camera photography has been exhibited internationally and he got admitted to business school by quoting Samuel Becket. He believes that you can tell a lot about a person from a short bio, and suspects most of it will be your own projection. But isn’t that the aim of literature? To hang a screen for your projections?
The month of October brought all kinds of literary goodness, both in Sausalito and San Francisco as part of Litquake. Can one simultaneously be recovering and ready for more? Are you? The theme is Witness, and we’ll be in Sausalito’s Studio 333 at 7 PM, November 10, with books, beer, wine, and blame! $5 is all you need to witness.
W. Ross Ayers is a writer and entrepreneur. He founded and runs the San Francisco Writers Community and co-publishing studio. He likes bad beer, bad bourbon, and clove cigarettes, and lives in and loves San Francisco. His book Blood, Guns and Whores – An All American Tale of a Boy and His Dog is a “coffee table novel” of micro chapters and illustrations.
Jasmin Darznik was born in Tehran, Iran. A former attorney, she
received her Ph.D. from Princeton University. Her writing has appeared in the New York Times, Washington Post, Los Angeles Times, and other publications. She is a professor of English at Washington and Lee University and has also been a visiting professor of Iranian literature at the University of Virginia. The Good Daughter is her first book and will be published in twelve countries.
Albert Flynn DeSilver is an internationally published poet, an artist, publisher, and founder of The Visionary Writers MFA. He served as Marin County’s first poet laureate from 2008-2010. For many years he taught as a California Poet in the Schools, and currently works in the Teen and Family program at Spirit Rock Meditation Center, and is the CEO of a Homecare Agency in Napa and Sonoma Counties. His most recent work is a memoir titled “Beamish Boy,” which chronicles his spiritual journey, from violence and self-annihilation to self-realization, creativity, and a life in poetry and writing. He lives in Woodacre, California.
Pam Houston is the award-winning author of Cowboys Are My Weakness,
Waltzing the Cat, A Little More About Me, and Sight Hound. Her stories have been selected for the Best American Short Stories, the O. Henry Awards, the Pushcart Prize, and the Best American Short Stories of the Century. Pam teaches in the graduate writing program at University of California, Davis. Her new collection of short stories, Contents May Have Shifted, is forthcoming in 2012.
Joshua Mohr is the author of the novels Termite Parade, which was an Editors’ Choice on The New York Times Best Seller List; Some Things that Meant the World to Me, one of O Magazine‘s Top 10 reads of 2009 and a SF Chronicle bestseller; and the brand new Damascus (October 2011). He has published numerous short stories and essays in publications such as The New York Times Book Review, 7×7, the Bay Guardian, ZYZZYVA, The Rumpus, among many others. He lives in San Francisco and teaches in the MFA program at the University of San Francisco.
Linda Joy Myers is the author of The Power of Memoir—How
to Write Your Healing Story, Becoming Whole, and the award-winning memoir Don’t Call Me Mother, which won the BAPIA Gold Medal prize. She has won prizes for fiction, memoir and poetry: First Prize, Jessamyn West Fiction Contest; Finalist, San Francisco Writing Contest for Secret Music, a novel about the Kindertransport; First Prize, poetry, East of Eden Contest, and for memoir writing First Prize Carol Landauer Life Writing Contest. Hernext book is Truth or Lie: On the Cusp of Memoir and Fiction. The founder of the National Association of Memoir Writers and co-President of the Women’s National Book Association, she is an instructor at Writers Digest and gives workshops nationally and online.
Tracy Winn’s linked story collection, Mrs. Somebody Somebody won the 2010 Sherwood Anderson Foundation Fellowship, and was a finalist for the Julia Ward Howe Award and the Massachusetts Book Awards. Her stories have appeared most recently in Alaska Quarterly Review, Hayden’s Ferry Review, and New Orleans Review. A Warren Wilson MFA Program for Writers graduate, she is the recipient of grants and fellowships from the Massachusetts Cultural Council, the Arch and Bruce Brown Foundation, and the MacDowell and Millay Colonies.