Join us at Studio 333 in Sausalito, November 8. Our promise: A magical night of stories from seven remarkable writers on the theme, Promise. 333 Caledonia Street, Sausalito, 7 pm. $5.
Fred Arroyo is the author of Western Avenue and Other Fictions (University of Arizona Press, 2012), as well as The Region of Lost Names (U of Arizona P, 2008). Named one of the Top Ten New Latino Authors to Watch (and Read) in 2009 by LatinoStories.com, he is also a recipient of an Individual Artist Grant from the Indiana Arts Commission. Fred has published fiction, poetry, and essays in various literary journals and in the anthologies The Colors of Nature (Milkweed 2011) and Camino del Sol: Fifteen Years of Latina and Latino Writing (University of Arizona 2010). Currently, he is completing a book of essays in which he lyrically meditates on work, reading and writing, migration and place—sources of creativity arising from his life and work in the Midwest, growing up bilingual on the East Coast, and then being caught between urban and rural worlds. He is also working on a novel set primarily in the Caribbean. Fred lives in Vermillion, South Dakota, where he teaches fiction and creative nonfiction in the MA/PhD Program in Creative Writing, as well in the undergraduate program at the University of South Dakota. Fred walks as much as possible, enjoys bike rides with his nine-year-old son, and finds as of late that driving in the upper Midwest is the tonic that brings writing and life together.
Stacy Bierleinis the author of the story collection A Vacation on the Island of Ex-Boyfriends and a co-editor of the short fiction anthology Men Undressed: Women Writers and the Male Sexual Experience. Her award-winning anthology of international fiction, A Stranger Among Us: Stories of Cross Cultural Collision and Connection, is used in university classrooms across the country. She is a founding editor of Other Voices Books and the Morgan Street International Novel Series. Her articles about writing, publishing, and the arts appear on various websites, including The Rumpus. She lives in Southern California.
Leslie Ingham was classically educated at St. John’s College in Annapolis and has her MA in Rhetoric and Composition from the University of Maryland. Her work has appeared in Fiction 365 and Energeia, and been recognized by Narrative Magazine. She is a founding member of San Francisco’s Portuguese Artists Colony, where she regularly reads her work. She is also an editor at PAC: Books, and is currently at work on a novel.
Patricia Ann McNair’s collection of short stories is The Temple of Air. She has lived 98 percent of her life in the Midwest, where she’s managed a gas station, sold pots and pans door-to-door, tended bar and breaded mushrooms, worked on the trading floor of the Chicago Mercantile Exchange, and taught aerobics. Today she is an associate professor in the Fiction Writing Department of Columbia College Chicago, where she received a nomination for the Carnegie Foundation’s US Professor of the Year. Her collection of stories, called “a beautiful book, intense and original,” by Audrey Niffenegger, has received a number of honors, among them the winner of Southern Illinois University’s Devil’s Kitchen Reading Award and the Society of Midland Authors Finalist Award.
Zack Rogow’s seventh book of poems is My Mother and the Ceiling Dancers, (Kattywompus Press, February 2012). He is editor and/or translator of nineteen books or plays. His writing has appeared in a variety of magazines, from American Poetry Review to Zyzzyva. His translations from French include work by Colette, George Sand, and André Breton. Currently he teaches in the low-residency MFA at the University of Alaska, Anchorage. His blog is titled Advice for Writers.
Jenn Scott’s stories have appeared in The Cincinnati Review, Bellingham Review, The Gettysburg Review, Seattle Review, Santa Monica Review, Cream City Review, Phoebe, Confrontation, Gulf Coast, Juked, New South, and The Los Angeles Review. She lives with four cats and a husband in Oakland, California where she obsesses over football and is presumably at work on her first novel.
Rayme Waters is the author of the debut novel The Angels’ Share. She has been nominated for a Pushcart Prize and a Dzanc Best of the Web Award. Most recently, her work has appeared in The Summerset Review, The Rumpus, and The Meadowland Review. Born in San Francisco, she grew up in Northern California and the city of Linköping, Sweden.
Why There Are Words Literary Reading Series presents the following readers on the theme Animal June 14 at Studio 333 in Sausalito, 7-9pm. $5. Animalis. Latin for “having breath.” Join us for a night of readings that will surely take your breath away!
Tami Anderson’s fiction has been published in Other Voices, Passages North, and Soundings East. Her work was selected for a stand-alone performance of The New Short Fiction Series, Los Angeles’s longest running spoken word series. She was a 2006 recipient of the Barbara Jackson Fellowship to the Tomales Bay Writer’s Conference.
Dani Burlison is a staff writer at the Pacific Sun, columnist at McSweeney’s Internet Tendency, and book reviewer for The Los Angeles Review. Her writing appears in The Rumpus, Hip Mama Magazine, Rad Dad Zine, Bike Monkey, Elephant Journal, The North Bay Bohemian, and elsewhere. She has essays forthcoming in The Los Angeles Review, Plowshares, and two anthologies: The People’s Apocalypse and It’s All in Her Head: Women Making Peace With Troubled Minds. She is the co-founder of Petals and Bones zine and writing workshops, and lives in Sonoma County.
Carolyn Cooke’s Daughters of the Revolution was listed among the best novels of 2011 by the San Francisco Chronicle and The New Yorker Magazine. Her short fiction has appeared in AGNI, The Paris Review, and two volumes each of Best American Short Stories and Prize Stories: The O. Henry Awards. These stories were collected in The Bostons, which won the PEN/Bingham Award and was a finalist for the PEN/Hemingway. She teaches in the MFA writing program at the California Institute of Integral Studies in San Francisco.
Bruce Genaro is a graduate of the MFA in Writing Program at the University of San Francisco, and he has the scars to prove it. His short stories, essays, profiles, and reviews have appeared in numerous obscure and hard to find literary magazines and journals, as well as more notable venues like the Huffington Post. You can read his most recent publication, “Workshopped to Death,” in the 2012 issue of The Alembic, the annual literary journal of Providence College. He is currently working on a book about The Outsiders, a group of seven Bay Area plein air painters, and a novel about the last prince of Italy.
Allison Landa is a Berkeley-based fiction and memoir writer. Her work has been featured in Salon Magazine, Prick of the Spindle, Swill Magazine, Toasted Cheese, Pindeldyboz, and Defenestration, among other venues, and featured at reading series including Lip Service West, Quiet Lightning, Pints and Prose, and Porchlight SF. She has been a resident at The MacDowell Colony, Kimmel Harding Nelson Center for the Arts, and The Julia and David White Artists’ Colony. She earned her MFA in fiction writing at St. Mary’s College of California.
Matt Runkle is a writer, cartoonist, and book artist. His work has been featured in The Collagist, Beecher’s, Monkeybicycle, and on BOMBlog. He has read at venues ranging from SOMArts and Brooklyn’s Unnameable Books to the Headlands Center for the Arts. The third issue of his zine, Runx Tales, is due out later this year. Brooklyn Arts Press will publish a collection of his short fiction in 2013, and he is looking for a publisher for his novel,”Twos”, which was a semifinalist for the Noemi Book Award.
James Tipton is the author of Annette Vallon, A Novel of the French Revolution, a San Francisco Chronicle bestseller and a Barnes and Noble Discover Pick. Born and raised in Berkeley, he has a PhD in English from the University of California, Davis. He has been a lecturer at UC Davis and at the University of Bordeaux, France, and has taught English and creative writing at the College of Marin since 1993.
Justin Torres was raised in upstate New York. His work has appeared in Granta, Tin House, and Glimmer Train. A graduate of the Iowa Writers’ Workshop, he was the recipient of a Rolón Fellowship in Literature from United States Artists and is a Wallace Stegner Fellow at Stanford. Among many other things, he has worked as a farmhand, a dog walker, a creative writing teacher, and a bookseller.