Don’t miss Why There Are Words January 10, 2013. It’s our 3rd Anniversary and we’ll have a special reading we’re calling Pairings — tasty servings of poets and writers paired together for a delectable experience you’ll simply have to experience for yourself. As always we’ll be at Studio 333 at 333 Caledonia St., Sausalito. 7 pm. $10. Bring extra cash for books and booze. Note the event will fill quickly. Come early to get a seat. Once they’re gone, they’re gone!
Julie Bruck is the author of three books of poetry, Monkey Ranch (2012), The End of Travel (1999), and The Woman Downstairs (1993). Her work has appeared in such magazines as Ms, Ploughshares, and The New Yorker, and her awards include two Gold Canadian National Magazine Awards, and the 2012 Governor General’s Award for poetry. A former Montrealer, Julie has lived in San Francisco since 1997, and has taught poetry workshops for the Writing Salon for 8 years.
Lewis Buzbee is the author of Fliegelman’s Desire, After the Gold Rush, First to Leave Before the Sun, and The Yellow-Lighted Bookshop. Steinbeck’s Ghost, his first novel for younger readers, was selected for the California Library Association’s John and Patricia Beatty Award, and was a Smithsonian Notable Book. His second middle grade novel, The Haunting of Charles Dickens, won the Northern California Book Award and was nominated for an Edgar Award. A new novel, Bridge of Time has just been published, and a new nonfiction book, Blackboard, will be published in the fall of 2013. A bookseller and publisher for over 20 years, Lewis has taught creative writing for 20 years, and is on the faculty of the MFA program at University of San Francisco.
Carolyn Cooke’s Daughters of the Revolution was listed among the best novels of 2011 by the San Francisco Chronicle and The New Yorker Magazine. Her short fiction, collected in The Bostons, won the PEN/Bingham award, was a finalist for the PEN/Hemingway, and has appeared in AGNI, The Paris Review and two volumes each of Best American Short Stories and Prize Stories: The O. Henry Awards. A new collection, Amor & Psycho, is forthcoming next summer from Knopf. Carolyn teaches in the MFA writing program at the California Institute of Integral Studies in San Francisco.
Dean Rader’s debut collection of poems, Works & Days, won the 2010 T. S. Eliot Poetry Prize. It was a finalist for the Bob Bush Memorial First Book Prize and it won the 2010 Writer’s League of Texas Book Award. His work appears in Best American Poetry 2012, and a new collection of poems that explores the convergence of poetry and painting is forthcoming later this year. Dean writes and reviews regularly for The San Francisco Chronicle, The Rumpus, and The Huffington Post. He is a professor and chair of the Department of English at the University of San Francisco, where he won the University’s Distinguished Research Award in 2011.
Melissa Stein is the author of the poetry collection Rough Honey, winner of the APR/Honickman First Book Prize. Her poems have appeared in Southern Review, Harvard Review, Best New Poets 2009, New England Review, North American Review, and many other journals and anthologies, and she has received fellowships from Yaddo, the MacDowell Colony, the Bread Loaf Writers’ Conference, and the Djerassi Resident Artists Program. She is a freelance editor and writer in San Francisco.
Glen David Gold is the author of the novels Sunnyside and Carter Beats the Devil, international bestsellers which have been translated into 14 languages. He has written essays, memoir, and fiction for the New York Times Sunday Magazine, McSweeney’s, Playboy, Tin House, and the Los Angeles Review of Books. He’s written comic books for DC and Dark Horse, and his essays on collecting artwork have appeared everywhere from The Believer to Yale University Press. Currently he’s working on a multi-volume memoir, and wishes to point out that his sole produced screen credit, an episode of “Hey Arnold,” is streaming on Netflix.
Matthew Zapruder is the author of three collections of poetry, most recently Come On All You Ghosts (Copper Canyon 2010), a New York Times Notable Book of the Year. His poems, essays, and translations have appeared in many publications, including Tin House, Paris Review, The New Republic, The New Yorker, Bomb, Slate, Poetry, and The Believer. He has received a 2011 Guggenheim Fellowship, a William Carlos Williams Award, a May Sarton Award from the Academy of American Arts and Sciences, and a Lannan Literary Fellowship. Currently he works as an editor for Wave Books, and teaches as a member of the core faculty of UCR-Palm Desert’s Low Residency MFA in Creative Writing.
Cary Tennis writes Salon.com’s advice column “Since You Asked.” He also leads writing workshops and creative getaways, publishes books, performs his fiction and poetry in bars and art galleries, writes songs, plays guitar and contributes occasional pieces to magazines. He studied English literature and journalism at the University of Miami and went to grad school in creative writing at San Francisco State, but got distracted around 1980 and formed a punk/new wave band (the Repeat Offenders) and played the local joints. He “worked” as a “rock journalist” for the SF Weekly and wrote a column called “Freefall,” (and Jerry Garcia’s obit for the SF Examiner, etc). He was an aspiring fiction writer and poet who got into journalism because it was easier and quicker, and then since he was also a rock musician he got into rock journalism, which was even easier and quicker than regular journalism; and generally throughout the ’80s, he lived an idiosyncratic version of poet-and-fiction-writer-as-brilliant-urban-rebel-and-scold before settling down in 1989, quitting the booze and trying to make a legitimate go of it doing things that were neither easier nor quicker. In 2001 at Salon he took over the advice column from Garrison Keillor, whose signature column, Mr. Blue, had run from 1998 to 2001.
Since You Asked, like Mr. Blue, is long-form, high-brow but low-key, with a literary and sophisticated tone. Cary considers the advice column practiced in this way to be an epistolary art form equal in merit to fiction, poetry, and drama, and thinks it should be taught as such in schools and universities. But he’s not holding his breath. (He’s still working on the same novel he’s been working on for about 17 years now, and really believes he should send out more work to small magazines.)
You won’t want to miss this event!
Gabriel Blackwell is the author of Shadow Man: A Biography of Lewis Miles Archer and Critique of Pure Reason, a collection of essays and fictions. His work has appeared in Conjunctions, Tin House, Puerto del Sol, DIAGRAM, and elsewhere. He is the reviews editor of The Collagist and a contributor to BIG OTHER.
Laura E. Davis is the author of the chapbook Braiding the Storm (Finishing Line Press). Her poem “Widowing” won the 2012 Crab Creek Review Poetry Contest, judged by Dorianne Laux. Other poems and reviews are featured or forthcoming in Mason’s Road, Right Hand Pointing, The Rumpus, A-Minor, Super Arrow, and Redactions, among others. She is the founding editor of Weave Magazine, and teaches poetry writing, translation, and recitation in San Francisco, where she lives with her partner, Sal.
Steve De Jarnatt grew up in the small logging town of Longview, Washington. He attended Occidental College, graduated from The Evergreen State College, and recently completed the Creative Writing MFA program at Antioch University Los Angeles after a long career as a writer and director in film and television. He counts among other credits the indie cult film, “Miracle Mile.” His work has appeared in or is forthcoming from Meridian, The Cincinnati Review, The Santa Moncia Review, The Best American Short Stories 2009, and New Stories from the Midwest.
Valerie Fioravanti is the author of Garbage Night at the Opera, winner of the 2011 Chandra Prize for Short Fiction. Her fiction, essays, and prose poems have appeared in many literary journals, including North American Review, Cimarron Review, and Hunger Mountain. She was a Fulbright Fellow in Creative Writing, and is at work on a novel set in Italy. She teaches in private workshops in Sacramento and as a writing coach, and runs the award-winning reading series Stories on Stage.
Anne Galjour is an award-winning playwright and actor. Her playwriting credits include the upcoming world premiere of Turtles & Alligators, a Cajun Kitchen Comedy at the Bayou Playhouse in Spring 2013; Bird in the Hand; Okra; and The Queen of the Sea. Her solo performance credits include You Can’t Get There from Here, Hurricane Mauvais Temps, Alligator Tales, and The Krewe of Neptune. Awards for her work include the Bay Area Theater Critics Circle Award – Best Original Script; the Will Glickman Playwriting Award and Bay Area Theater Critics Award – Best Original Script; theAmerican Theatre Critics Association Osborn Award for Emerging Playwright; the Bay Area Theater Critics Circle – Best Solo Performance; the S.F. Solo Mio Festival – Outstanding Solo Artist; and the S.F. Bay Guardian “Goldie” for outstanding performance artist. She is a lecturer in the Creative Writing Department at San Francisco State University.
Daniel Handler is the author of the novels The Basic Eight, Watch Your Mouth, Adverbs, and Why We Broke Up, recently awarded a Michael L. Printz Honor. As Lemony Snicket, he is the author of far too many books for children, including Who Could That Be At This Hour?, the first volume in his new series, All The Wrong Questions.
Arisa White is the author of the debut collection Hurrah’s Nest, the 2012 winner of the San Francisco Book Festival Award for Poetry. She is a Cave Canem fellow, an MFA graduate from the University of Massachusetts, Amherst, and an editor of Her Kind, the official blog for VIDA: Women in Literary Arts. Her second collection, A Penny Saved, is forthcoming from Willow Books.
Why There Are Words Literary Reading Series presents the following readers on the theme Ignored September 13 at Studio 333 in Sausalito, 7-9pm. $5. A stellar night of readings with seven incredible authors? Now that’s something you can’t ignore!
David Booth is the author Peer Participation and Software, a book about crowd-sourcing and democracy (MIT Press, 2010). His fiction has appeared in many print and online journals, including Washington Square, The Missouri Review, and The Farallon Review. David was a creative writing instructor at the University of San Francisco for 10 years. He now teaches humanities at Gateway High School in San Francisco’s Fillmore District. He has just completed the first draft of a novel called “The History of Adoption” that explores child adoption and the teaching of literacy to adolescents in the United States.
Traci Chee is an always-writer and sometimes-teacher. She has a graduate degree in creative writing from San Francisco State University and is looking forward to earning her teaching credential. In recent years her work has been published in The Big Stupid Review and ABJECTIVE. Her collection of short stories Consonant Sounds for Fish Songs is forthcoming from Aqueous Books. She lives in Northern California, where she keeps a fast dog and a weekly blog. She likes fish and ships.
Lindsey Crittenden is the author of two books: The Water Will Hold You: A Skeptic Learns to Pray and The View From Below: Stories. Her personal essays—on everything from visiting a group of lifers at San Quentin to the pitfalls of too much California sunshine—have appeared in The New York Times, Image, Real Simple, Bon Appétit, East Bay Express, and Best American Spiritual Writing. Her fiction has won national awards and been published in Glimmer Train, Bellingham Review, Quarterly West, and other publications. She teaches writing at UC Berkeley Extension and through the Glen Online, blogs weekly, and is at work on a novel.
Erich Origen is a New York Times bestselling humorist. His first book, Goodnight Bush, which he co-created with friend Gan Golan,a bedtime story about the Bush Administration, became a breakout hit in 2008, and the book’s words were sung by jubilant choirs across the country. His second book (also created with Golan), The Adventures of Unemployed Man, a superhero parody about the economic crisis, was an international bestseller and one of the best-reviewed graphic novels of the year. The duo’s latest book is Don’t Let the Republican Drive the Bus! Origen has a special connection to this book’s soul: His mother was a charter bus driver whose livelihood was devastated by Republican union-busting. He studied film and television at the University of Southern California, where he won the Bernard Kantor Award for Academic Excellence. You can follow his blog here.
Caroline Paul is the author of Fighting Fire, a memoir of her career as a San Francisco firefighter, and East Wind, Rain, an historical novel that takes place on the Hawaiian island of Niihau at the start of World War II. Lost Cat: A True Story of Love, Desperation, and GPS Technology will be published in April 2013.
Sarah Stone is the author of the novel The True Sources of the Nile and co-author of Deepening Fiction: A Practical Guide for Intermediate and Advanced Writers. Her writing has appeared in Ploughshares, StoryQuarterly, The Future Dictionary of America, the Believer Book of Writers Talking to Writers, Dedicated to the People of Darfur: Writings on Fear, Risk, and Hope, and A Kite in the Wind: Fiction Writers on Their Craft, among other places.She has taught in Seoul, in Bujumbura, at San Francisco State University, at the University of California, Berkeley, and in the MFA in Writing and Consciousness, first at New College of California and later at California Institute of Integral Studies. She teaches in the Warren Wilson MFA Program for Writers.
Rebecca Wilson is the author of the memoir A House with No Roof —After My Father’s Assassination, A Memoir, (Counterpoint Press, 2011), with an introduction by Anne Lamott. She was born in San Francisco and raised in Bolinas, California. She graduated from Scripps Women’s College Phi Beta Kappa and traveled to Scotland on a Thomas J. Watson Fellowship. During her time in Scotland she published her first book, Sleeping with Monsters: Conversations with Scottish and Irish Female Poets.